Princess Haiku is a literary collage of poetry, prose, photography, classical music, dance and book reviews, written in the tradition of a poetic memoir.
Sunday, June 03, 2007
Yoshitoshi's Strange Tales
The Asian Art Museum, in San Francisco is sponsoring an extraordinary collection of Yoshitoshi wood-block prints entitled "Strange Tales." The show consisted of wood-block prints of Yoshitoshi that comprise images of the supernatural world.
As I perused the exhibition, images of dragons, demons, ghosts and warrior devils leaped from the walls in subdued glimmering colors. Because the prints are so light sensitive, the lighting in the room was subdued casting a dark amber spell. These particular wood-block prints will only be shown for a month due to their light sensitivity and different ones will be hung for the second month of the exhibition. It was a privilege and honor to be able to see these delicate masterpieces.
What was apparent to me was the struggle that, Yoshitoshi had known in his life. Several of these images were painted by him when he was mentally and physically devastated due to unrelenting poverty. One in particular held me spellbound by its sheer mastery of human pain and transcendence via watery realms. This is the wood-block print of the boy riding the fish featured on the flags inside the Museum. When I stood before this print, the suffering of Yoshitoshi was made visceral in the form of the fish, upon which the youth plunged into the symbolic depths of sea and wave.
When you think about the international art world; the sophistication, the money, the power and privilege levied by those who own and broker great art, it is easy to forget what creates it. It is born of blood and tears that mix with paint, sediments, tinctures and strokes that follow, the footsteps of those who sacrifice their lives to serve art.
Great art is rarely trendy in its lifetime. It isn't born "uptown" in glittering high heels and arched feet, but in neighborhoods and terrains of those who struggle. In San Francisco the next generation of great artists are gone because unless they are born with trust funds or have high tech jobs they can't afford to live there. As I left the museum I observed some moments of silence for the gift of Yoshitoshi's alchemy.
Diane Dehler is a photographer and poet. Her flower photography has been featured on Haiga online and she has several thousand followers on facebook. Her multi-media video poem, "The Lotus" has received 3000+ views on youtube. As a poet she is known for her lyricism and has been nominated for the Pushcart Prize and was a finalist for the Anna Davidson Rosenberg Poetry Prizes 2016. She received a degree from the Creative Writing Program at San Francisco State University, receiving the Outstanding Student of the Year Award. She is an English Language poet in the international literary scene and; has been published in numerous poetry journals and three anthologies. Mostly recently she has published in, The Artemis Review, Cultural Weekly, Edgar Allan Poet, The Mas Tequila Review, The Criterion: An International Journal in English, Munyori Literary Review, The Taj Mahal Review, Truck, Deepwater Literary Journal, Moonbathing: A Journal of Women’s Tanka, Lummox Journal and poeticdiversity.
2 comments:
This is a great and true observation you make Princess.
Can't wait to see these. It's been awhile since I've been to the Asian.
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